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“文革”时期美术批评的热点及其特征
引用本文:李有梁.“文革”时期美术批评的热点及其特征[J].云梦学刊,2014(6):91-96.
作者姓名:李有梁
作者单位:湖南理工学院 公共社科教学部,湖南 岳阳,414006
基金项目:2012年度国家社会科学基金艺术学重点项目“中国当代艺术批评史研究”(批准号12A A 001)。
摘    要:受政治势力强力介入文艺创作与批评的影响,“文革”时期的美术批评带有鲜明的政治色彩,出现了评论“户县农民画展”、“上海、阳泉、旅大工人画展览”和批判“黑画坏画”等三大热点。一部分工农兵加入了美术批评队伍,集体创作的评论文章也大量涌现,而这些对新时期的美术批评产生了较为深远的影响。

关 键 词:美术批评  农民画  工人画  “黑画”  文革

THE HOT SPOTS OF ART CRITICISM AND ITS FEATURES DURING CULTURAL REVOLUTION
LI You-liang.THE HOT SPOTS OF ART CRITICISM AND ITS FEATURES DURING CULTURAL REVOLUTION[J].Journal of Yunmeng,2014(6):91-96.
Authors:LI You-liang
Institution:LI You-liang (Department of Public Social Science Education, Hunan Institute of Science and Technology, Yueyang, 414006, China)
Abstract:Influenced by the strong involvem ent of the politic power in art creations and criticism s, the art com m ents during the tum ultuous C ultural R evolution had som e distinct features and three hot spots such as criticism upon those exhibitions of the peasant paintings of H u C ounty, the worker paintings of Shanghai, Y angquan and Lv-D a, and denouncem ent on those B lack-Paintings. A part of workers and peasants joined in creating groups, and m any com m ent articles by collective effort appeared during that tim e which brought a great influence on the art criticism s at the beginning of R eform and O pen-up time.
Keywords:art criticism  peasant painting  worker painting  Black-painting  Cultural Revolution
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