电影学“景观”概念的论争与实践价值

电影学中的“景观”概念，源自法国情境主义电影理论家居伊·恩斯特·德波的《景观社会》一书。在中国，关于“景观”话语的讨论则始于本世纪初。在电影学中，“景观”特指追求影像的视觉造型效果及其观赏价值的一种镜语范式，它把人们对“电影本体性”的探索从文本叙事层面转移到对影像内在规律的深入把握上。通过对“景观”概念意义功能的全面考察，可以纠偏当代电影在视觉建构过程中“唯景观化”、“奇观第一”等极端现象。

Arguments on the Concept of ＂Spectacle＂ in Film Studies and Its Practical Value

The concept of ＂spectacle＂ in film studies is cited from Guy Ernest Dobord＇s book Society of the Spectacle, who is the film theorist of situationism. The arguments on ＂spectacle＂ in China started from the beginning of the 21st century. In film studies, ＂spectacle＂ refers particularly to the camera language paradigm, which pursues the visual modeling effect and watching value. It shifts the exploration of film ontology from the narrative layer to the deep control of the inherent laws. Surveying the meanings and functions of the ＂spectacle＂, we can correct the extreme phenomenon that the director only constructs the marvelous spectacle in the process of constructing the visual significance in contemporary film making.