| 苏轼的"枯淡"论研究——兼论"东坡和陶诗"的文化史意义 |
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| 引用本文： | 高云鹏.苏轼的"枯淡"论研究——兼论"东坡和陶诗"的文化史意义[J].渤海大学学报(哲学社会科学版),2008,30(6):74-82. |
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| 作者姓名： | 高云鹏 |
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| 作者单位： | 中国人民大学,文学院,北京,100872 |
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| 摘 要： | 苏轼对"平淡"风格的认识,主要体现在他对陶渊明诗歌"枯淡"美的批评上。"枯淡"风格的形成是一个"绚烂之极归于平淡"的过程,体现在陶渊明的诗歌中就是"质而实绮,癯而实腴"、"外枯而中膏,似淡而实美"的美学效果。从"枯淡"风格出发,苏轼发现了柳宗元、韦应物诗风与陶渊明"同源",并作出了"柳在韦上"的判断。苏轼还创作了大量的"和陶诗",这在中国古代文化史上具有重要的认识价值。
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| 关 键 词： | 苏轼 “枯淡” “和陶诗” |
Research OH Su Shi'S"Kudan(Dull and Plain)"Style: Also about Implication of Cultural History in"Su Shi's Poems as Compared with Tao Yuan-ming's Poems" |
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| GAO Yun-peng.Research OH Su Shi''S"Kudan(Dull and Plain)"Style: Also about Implication of Cultural History in"Su Shi''s Poems as Compared with Tao Yuan-ming''s Poems"[J].Journal of Bohai University:Philosophy and Social Science Edition,2008,30(6):74-82. |
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| Authors: | GAO Yun-peng |
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| Abstract: | Su Shi's"Pingdan(plain)"style mainly lies in his criticism on the"Kudan"style of Tao Yuan-ming's poems.The process for the development of"Kudan"style is"magnificent and yet plain".As far as Tao Yuan-ming's poems are concerned,"Kudan"style means that his poems seem plain externally,but magnificent internally.By studying the"Kudan"style,Su Shi found that Liu Zong-yuan and Wei Ying-wu had the"same"style as Tao Yuan-ming.Su Shi composed lots of poems in response to Tao Yuan-ming's poems,and those poems by Su Shi are of great historical value in China. |
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| Keywords: | Su Shi "Kudan(Dull and Plain)" "poems in response to Tao Yuan-ming's poems" |
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