| 试论鲁迅文学创作中的象征主义及其艺术特征 |
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| 引用本文： | 董文波. 试论鲁迅文学创作中的象征主义及其艺术特征[J]. 浙江师范大学学报(社会科学版), 2001, 26(5): 58-62 |
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| 作者姓名： | 董文波 |
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| 作者单位： | 中国美术学院附属中等美术专科学校 |
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| 摘 要： | 对鲁迅文学创作中的象征主义的理解应从艺术思维的整体意义去把握,而不能仅从艺术手法去理解.本文从这一理念出发,通过对贯穿鲁迅小说及散文诗的铁屋子与狂人、希望与虚妄、示众与看客三组二元对立的意象的剖析,具体探讨鲁迅文学创作中的象征主义及其艺术特征.
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| 关 键 词： | 象征主义 铁屋子与狂人 希望与虚妄 示众与看客 |
| 文章编号： | 1001-5035(2001)05-0058-05 |
| 修稿时间： | 2001-04-01 |
Analyses on the Symbolism in Lu Xun''''s literature and its Artistic Characteristics |
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| DONG Wen bo. Analyses on the Symbolism in Lu Xun''''s literature and its Artistic Characteristics[J]. Journal of Zhejiang Normal University:Social Sciences, 2001, 26(5): 58-62 |
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| Authors: | DONG Wen bo |
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| Abstract: | In Lu Xun's literature, symbolism should be understood in terms of the whole meaning of artistic ideology, not simply as a literary technique. In this paper, the symbolism in Lu Xun's literature and its artistic characteristics are discussed through an analysis of the opposite imagery which consists of iron room and madman, hope and nihility, pillory and spectator in Lu Xun's novels and prose poems. |
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| Keywords: | Symbolism Iron Room and Madman Hope and Nihility Pillory and Spectator |
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