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形式美感:从正常形式到超常形式
引用本文:赵勤国.形式美感:从正常形式到超常形式[J].山东师范大学学报(人文社会科学版),2002,47(4):36-41.
作者姓名:赵勤国
作者单位:山东师范大学,美术系,山东,济南,250014
摘    要:视觉艺术的形式美感研究是对美术本体的研究 ,它分为不同质的三个层次 ,即正常形式、反常形式和超常形式。“正常形式”具有自然真实、传统规范和流行图式的结构性特征 ,这是一个基础平台。“反常形式”是对正常形式的解构 ,需要发散思维 ,探索尽可能多的形式可能性 ,这是思维方式和审美趣味的转折点。“超常形式”是对反常形式和正常形式的个人化整合 ,目标是重构“个人化的超常形式” ,占据视觉艺术的制高点

关 键 词:形式  结构  正常形式  反常形式  超常形式  整合
文章编号:1001-5973(2002)04-0036-06
修稿时间:2001年10月9日

Formal Aesthetic Sense: From Normality to Supernormality
Zhao Qinguo.Formal Aesthetic Sense: From Normality to Supernormality[J].Journal of Shandong Teachers' University(Social Science Edition),2002,47(4):36-41.
Authors:Zhao Qinguo
Abstract:Formal aesthetic sense study of visual art is a study of the noumenon of fine arts. It may be classified into three different layers of different nature, that is, normality, abnormality and supernormality. Normality, whose structural features are natural, real, traditional, standard and style prevailing, is the base. Abnormality as a deconstruction of normality requires divergent thinking and a probe into as many forms as possible, which is the turning point of one's thinking style and aesthetic taste. Supernormality, whose goal is to reconstruct "a personalized supernormality", is a personalized integration of both abnormality and normality, and it takes the commanding ground in visual art.
Keywords:form  structure  normality  abnormality  supernormality  integration  
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