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反启蒙:阿多诺否定美学的宗旨
引用本文:王耘.反启蒙:阿多诺否定美学的宗旨[J].湛江师范学院学报,2003,24(4):29-32.
作者姓名:王耘
作者单位:复旦大学,中文系,上海,200433
摘    要:反启蒙是阿多诺否定美学的宗旨。首先,阿多诺是以否定异化为切入点。异化是阿多诺对于现代性社会本质的归纳。异化导致了人的类本质的变形。其次,阿多诺是以否定启蒙来对抗异化。人的主体力量的变态性扭曲之所以出现是因为人的主体力量的过度膨胀,而正是启蒙带来了人的主体力量的过度膨胀。最终,阿多诺是以否定性艺术来对抗启蒙,否定性艺术是对抗启蒙的具体途径和方法。否定性艺术作品的原则:必须能够提供否定性的表象;否定性表象必须提供否定性契机。否定性艺术的本质特性必然是双重的,一方面,它是自律性实体;另一方面,它又是社会事实单子。

关 键 词:阿多诺  否定美学  反启蒙  异化  否定性艺术
文章编号:1006-4702(2003)04-0029-04
修稿时间:2003年3月3日

Anti - enlightenment: Aim of Negative Aesthetics
WANG Yun.Anti - enlightenment: Aim of Negative Aesthetics[J].Journal of Zhanjiang Normal College,2003,24(4):29-32.
Authors:WANG Yun
Abstract:Anti - enlighten is the aim of negative aesthetics. Firstly, Theodor Adomo regaids negating alienation as the starting point of a theory. Alienation is the conclusion of a modemistic society. Alienation brings about the distortion of the human nature. Secondly, Theodor Adorno resists alienation by anti-enlight-enment. Enlightenment leads to over-expansion of the human subjective strength, which gives rise to the distortion of the human subjective. Anti-enlightenment is the aim of Theodor Adorno's negative aesthetics. Lastly, Theodor Adorno resists enlightenment by the negative art. Negative art is the specific way and method of the anti - enlightenment. The principle of the negative art is to provide the negative representation and negative juncture. The essence of the negative art should be twofold: it is the autonomous substance and the society fact monad.
Keywords:Theodor Adomo  negative aesthetics  anti - enlightenment  alienation  negative art
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