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| 论明清家乐的导演体制及其对明清戏曲导演理论的贡献 | |
| 引用本文： | 刘水云. 论明清家乐的导演体制及其对明清戏曲导演理论的贡献[J]. 求是学刊, 2007, 34(3): 117-122 |
| 作者姓名： | 刘水云 |
| 作者单位： | 温州大学人文学院,浙江,温州,325035 |
| 摘 要： | 由“家乐主人”、“家乐教习”、“观众顾曲家”三者通力合作而构成的明清家乐导演体系,改变了职业戏班“以优师之耳目为耳目”的重表演、轻导演的戏剧理念,实现了集体导演的构想。明清家乐完善的导演体制不仅促进了家乐艺术的繁荣,同时也推动了明清戏剧导演理论的成熟和完善。 |
| 关 键 词： | 明清家乐 导演体制 导演理论 |
| 文章编号： | 1000-7504(2007)03-0117-06 |
| 修稿时间： | 2006-12-10 |
On the Directorial System of Jia Yue in Ming and Qing Dynasty and its Theoretical Contribution |
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| LIU Shui-yun. On the Directorial System of Jia Yue in Ming and Qing Dynasty and its Theoretical Contribution[J]. Seeking Truth, 2007, 34(3): 117-122 | |
| Authors: | LIU Shui-yun |
| Abstract: | The directorial system of Jia Yue(domestic troupe) in Ming and Qing Dynasty composed of master,director and amateur director changes the traditional ideas of the professional troupe which places emphasis on performance without due regard for the director,thus establishing the collective directorial system.The perfection of the system contributes not only to the prosperity of Jia Yue but also to the improvement of the relevant theories. |
| Keywords: | Jia Yue in Ming and Qing Dynasty directorial system directorial theory |
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