| 《聊斋志异》生态展现之阐释 |
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| 引用本文： | 沈传河.《聊斋志异》生态展现之阐释[J].山东理工大学学报(社会科学版),2007,23(1):9-13. |
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| 作者姓名： | 沈传河 |
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| 作者单位： | 山东理工大学文学与新闻传播学院,山东,淄博,255049 |
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| 摘 要： | 《聊斋志异》对于物际生态有着理想化的展现,但现实中我们应拒绝生态完美主义的诱惑。小说中人与自然物奇异的对话无不告诉我们,人与自然的对话理应被界定在良性的范围之内。幻化的笔法,使小说中的自然物得以获得其生态主体性,这对于当今生态文化之建构,无疑具有重大的启迪意义。
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| 关 键 词： | 《聊斋志异》 物际生态 良性对话 自然物生态主体性 |
| 文章编号： | 1672-0040(2007)01-0009-05 |
| 修稿时间： | 2006年9月22日 |
Commenting on the Ecological Revealing of Strange Tales of a Lonely Studio |
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| Shen Chuanhe.Commenting on the Ecological Revealing of Strange Tales of a Lonely Studio[J].Journal of Shandong University of Technology:Social Sciences Edition,2007,23(1):9-13. |
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| Authors: | Shen Chuanhe |
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| Abstract: | The ecological revealing of Strange Tales of a Lonely Studio is poetic,but in reality we should refuse the temptation of ecological perfectionism.In these stories,the strange dialogues between people and natural things,tell us invariably that the dialogue between man and nature should normally be limited in benign scope.Miraculously-transforming writing makes natural things in these stories get their ecological freedom,which holds important enlightening influence undoubtedly on the constructing of present ecological culture. |
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| Keywords: | Strange Tales of a Lonely Studio natural state of things benign dialogue ecological freedom of natural things |
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