| 昆山腔与弋阳腔的交流及融合 |
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| 引用本文： | 李连生.昆山腔与弋阳腔的交流及融合[J].燕山大学学报(哲学社会科学版),2003,4(1):63-70. |
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| 作者姓名： | 李连生 |
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| 作者单位： | 河北大学人文学院,河北,保定,071002 |
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| 摘 要： | 山腔和弋阳腔虽然在许多方面都有着迥异于对方的鲜明特色,但在长期的争胜发展中,并非完全对立、彼此隔绝,而是相互吸收、相互交流,共同进步,最终达到融合并形成新的艺术特色和声腔剧种。
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| 关 键 词： | 昆山腔 弋阳腔 融合 |
| 文章编号： | 1009-2692(2003)01-0063-08 |
| 修稿时间： | 2001年11月9日 |
The Exchange and Merge of the Poetic Musical Sings between the Kunshan Style of Opera and the Yiyang Style of Opera |
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| LI Lian-sheng.The Exchange and Merge of the Poetic Musical Sings between the Kunshan Style of Opera and the Yiyang Style of Opera[J].Journal of Yanshan University:Philosophy and Social Sciences Edition,2003,4(1):63-70. |
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| Authors: | LI Lian-sheng |
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| Abstract: | In spite of the fact that there are some striking differences between the Kunshan style of opera and the Yiyang style of opera, they are not isolated from each other; instead, in the long course of the competitive development of both, they have been merged into a new kind of musical opera through mutual exchanges. |
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| Keywords: | the Kunshan style of opera the Yiyang style of opera the merge |
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