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“气韵”理论源流之辨
引用本文:马向东.“气韵”理论源流之辨[J].榆林高等专科学校学报,2010,20(3):66-68.
作者姓名:马向东
作者单位:榆林学院,中文系,陕西,榆林,719000 
摘    要:"气韵"一词在中国古典美学中出现的频率颇高,是一个重要的美学词汇和文艺鉴赏术语,也是我国古典美学体系中颇具民族特色的重要审美范畴和我国古代美术品评的特有标准、美学原则。从历史的角度纵向研究了这一重要的审美范畴,从"气韵"理论的基本内涵和产生源头入手,按照时代脉络梳理出"气韵"理论从萌芽、发展到成熟的整个过程,阐明了"气韵"在不同朝代的发展特点。

关 键 词:气韵  内涵  气韵生动  神韵

On the Origin and Development of "Artistic Conception"
Institution:MA Xiang - dong (Department of chinese Yulin College,Shaanxi Yulin 719000)
Abstract:The word of"Artistic conception"appears frequently in Chinese classical aesthetics. It’s not only an important aesthetics word and a literary appreciative term,but also an important aesthetic category with the national distinguishing feature in the system of the Chinese classical aesthetics. And it’s also the standard and aesthetic principle of Chinese classical aesthetic comment. The paper discusses about the important aesthetic category from a histrical point of view. It first talks about the fundamental connotation of"Artistic conception"and the Oits. Then it denotes the whole process of"artistic conception"from sprout,development to maturity. Finally,it illustrates the developing features of"artistic conception"in defferent dynasties.
Keywords:Artistic conception  connotation  Artistic conception vivid and charm
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