| 论李流芳的诗学思想及其批评史意义 |
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| 引用本文： | 李柯.论李流芳的诗学思想及其批评史意义[J].社会科学,2011(6). |
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| 作者姓名： | 李柯 |
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| 作者单位： | 复旦大学中国古代文学研究中心,上海,200433 |
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| 摘 要： | 晚明嘉定著名文人李流芳论诗以情性为本位,重视诗歌艺术形式的功能价值,这两方面共同构成其主情论诗学思想的主体.基于此,他还提出了"各成其一家"、"画会之诗总不似"等诗学见解.在与公安派、竟陵派人物交游的背景下,李流芳论诗既与公安、竞陵相类,又通过客观意义上的对明代诗学资源的批判性继承纠补了二派诗学的缺失,由此显示出不激不偏而又特立鲜明的诗学立场及人格范型,这便是李流芳诗学思想的文学批评史意义之所在.
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| 关 键 词： | 李流芳 诗学思想 明代诗学 批评史意义 |
Li Liufang' s Poetic Thoughts and Its Significance in History of Literary Critiques |
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| Li Ke.Li Liufang' s Poetic Thoughts and Its Significance in History of Literary Critiques[J].Journal of Social Sciences,2011(6). |
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| Authors: | Li Ke |
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| Abstract: | Li Liufang was a famous literati of Jiading in the late Ming Dynasty.There were two aspects constituted the main body of his poetic theory of sensibility which was that poetry root in emotion and spirit and the function and value of artistic form of poetry is important.Based on this,he also proposed some viewpoints about poetic,such as the relationship between inheritance and innovation,the relationship between poetry and painting.Li Liufang rectified deficiencies in poetic theories of Gong'an and Jingling ... |
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| Keywords: | Li Liufang Poetic Thoughts Poetic in the Ming Dynasty Significance in History of Literary Critiques |
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