从选本批评看宋初与梁代后期的文学共性及意义——基于《文苑英华》《玉台新咏》的重诗分析

《文苑英华》历来被认为是续《文选》而来,其与《玉台新咏》的关系极少被关注?《文苑英华》与《玉台新咏》重合诗歌 87 首,这透露出宋初与梁代后期的三个文学共性:其一,对艳诗“吟咏性情”功能的认可;其二,对梁代永明体诗人与宫体诗人态度的相似性;其三,文辞尚丽的相类性?此外,《玉台新咏》在编纂体例上对《文苑英华》也有影响?从选本批评角度对宋初与梁代后期的文学共性进行探讨,可以更具体地了解分体编录型文学总集在宋初的演变特点,也能更清晰地认识宋初的文学观念?

Analysis of the Commonality and Its Significance in Literary Works of the Early Song Dynasty and the Later Liang Dynasty from the Perspective of Anthology: Based on the Same Poems between Wen Yuan Ying Hua and Yu Tai Xin Yong

It is widely acknowledged that Wen Yuan Ying Hua inherited Wen Xuan, but people pay little attention to the relationship between Wen Yuan Ying Hua and Yu Tai Xin Yong. There were 87 poems that both appeared in these two anthologies. It showed three common literary phenomena. The first, they recognized the lyric function of erotic poems. The second, there was a similar attitude to Yongming poets and Palace poets in the Liang Dynasty . The third, they loved beautiful diction. In addition, Yu Tai Xin Yong also had an effect on the compiling of Wen Yuan Ying Hua. Analysis of the commonality of literature from the perspective of the anthology criticism, we can better understand not only the characteristic evolution of the literary collections, but also literary ideas of the early Song Dynasty.