中国诗歌百年回顾与思考

20世纪 ,中国诗歌成功地完成了文体语言 (由文言向白话 )的转换。但是 ,在诗歌韵律与体式的构建方面 ,还存在认识的误区和实践的严重滞后 ,明显制约了诗歌的稳健发展。在内容方面 ,新诗则进行了前所未有的多样化尝试。不管是韵律与体式的构建还是内容的探索 ,2 0世纪中国诗歌都有走极端的倾向 ,前者在极端自由与过分刻板的格律之间选择 ,后者则在极端主观与绝对现实、单一的崇高 (或英雄主义 )与完全的世俗乃至平庸之间徘徊。这是转型与探索时期的明显特征。诗作者应该以开放、宽阔的心态 ,致力于发掘现代白话的魅力 ,构建与白话相适应的新诗韵律和必要体式 ,拓展诗歌的内容和境界 ,推动新诗不断完善和发展。只有这样 ,中国诗歌才会在新的世纪 ,创造出新的辉煌

Centennial Retrospect and Reflections on Chinese Poetry

In the 20th century, Chinese poetry successfully accomplished its stylistic language transition from classical Chinese to vernacular. However, in the process there was an inclination to go to the extremes in the rhyme formation and content pursuit. That is, for the former (rhyme formation),the choice was made between extreme freedom and unduly rigid rhyme; for the latter (content pursuit), the choice was made among absolute subjectivism, abslute readlism, monomania loftiness (heroism), sheer vugarity and even mediocrity. In order to promote the development of Chinese poetry to a new height in the new century, poets should be open and broad-minded and devote themselvs to exploring the glamour of modern vernacular and forming both the new poem rhyme and the necessary style for the vernacular to upgrade poetic loftiness.