| 中国古代文论中的情景论 |
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| 引用本文： | 胡建次.中国古代文论中的情景论[J].新疆大学学报(社会科学版),2006,34(3):111-115. |
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| 作者姓名： | 胡建次 |
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| 作者单位： | 复旦大学中文系 上海200433 |
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| 摘 要： | 我国古代文论中的情景论经历了五个阶段,即:魏晋南北朝为产生期,唐代为拓展期,宋代为充实期,明代为深化期,清代为完善期。古代文论情景论的发展历程呈现出历时承传、梯度拓展和不断深化的特征。
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| 关 键 词： | 古代文论 情景论 发展 特征 |
| 文章编号： | 1000-2820(2006)03-0111-05 |
| 修稿时间： | 2006年3月14日 |
On the Criticism of Feeling and Setting in Chinese Ancient Literary Theory |
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| HU Jian-ci.On the Criticism of Feeling and Setting in Chinese Ancient Literary Theory[J].Journal of Xinjiang University,2006,34(3):111-115. |
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| Authors: | HU Jian-ci |
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| Abstract: | The criticism of feeling and setting in Chinese ancient literary theory goes through five stages: the Wei-Jin-North and South Dynasty is the emerging stage, the Tang Dynasty is the expanding stage, the Song Dynasty is the enriching stage, the Ming Dynasty is the deepening stage and the Qing Dynasty is the perfecting stage. The developing course is characterized by continual handing down to the present, gradient expanding and continuous deepening. |
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| Keywords: | ancient literary theory the criticism of feeling and setting development characteristics |
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