论黑泽明电影的中国接受

运用接受美学方法对黑泽明电影在中国的接受状况作受众分析,其表现有三:鉴赏视野中,观众对黑泽明电影有一定的鉴赏期待,有走向交往对话的动机和行动,受意识形态等原因影响,整体鉴赏水平还不高;批评视野中,评论者对之有些冷淡,集中于《罗生门》、《七武士》等片叙事主题、叙事结构的评析;创作视野中,导演、编剧们更为热情,徐克、张艺谋等将之视为范式文本加以摹仿,体认、实践黑泽明电影美学理念。

Akira Kurosawa On the Reception of Akira Kurosawa's Movies in China

This paper,by means of receptional aesthetics,analyzes the reception of Akira Kurosawa's movies by Chinese audiences.In the aspect of appreciation,audiences have certain appreciation anticipation of Akira Kurosawa's movies with their motive and action to contact and dialogue, but their appreciation ability is not strong enough due to the influence of ideology.In the field of criticism,critics are somewhat cold to Akira Kurosawa's movies,and focus their criticism mainly on the narrative subject and narrative structure of Roshomon and Seven Swordsmen.In view of movie creation,directors and screenwriters have become so passionate for Akira Kurosawa's movies that some of them,like Xu Ke and Zhang Yimou,take them as the model to imitate,and practice Akira Kurosawa's movie aesthetic.