| 革命话语中的五四想象 |
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| 引用本文： | 杨厚均. 革命话语中的五四想象[J]. 云梦学刊, 2005, 26(1): 89-92 |
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| 作者姓名： | 杨厚均 |
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| 作者单位： | 湖南理工学院,中文系,湖南,岳阳,414006 |
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| 摘 要： | 现代中国知识分子对于五四的想象大体是在两个话语体系中进行的。一是作为启蒙话语的五四想象,二是革命话语中的五四想象。无产阶级革命文学的发展,在现代中国大体可以分为两个时期,一是倡导革命文学的上海时期,一是确立工农兵文艺的延安时期,它们对五四的想象虽同在革命话语中进行,但表现出各自不同的内容。这为革命的左翼现代作家在新中国后的艺术选择埋下了矛盾的种子。
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| 关 键 词： | 革命话语 五四想象 上海 延安 |
| 文章编号： | 1006-6365(2005)01-0089-04 |
| 修稿时间： | 2004-05-09 |
IMAGINING OF MAY 4TH MOVEMENT THROUGH REVOLUTIONARY DISCOURSE |
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| YANG Hou-jun. IMAGINING OF MAY 4TH MOVEMENT THROUGH REVOLUTIONARY DISCOURSE[J]. Journal of Yunmeng, 2005, 26(1): 89-92 |
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| Authors: | YANG Hou-jun |
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| Abstract: | Modern Chinese intellectuals generally image May 4th Movement through two discourse systems: the enlightenment discourse and the revolutionary discourse. The proletarian revolution literature development in modern China usually covers two stages: one is the Shanghai Stage calling for revolution literature, the other is the Yan'an Stage establishing the literature and art for workers and farmers and soldiers. They had the imagining of May 4th Movement through the same revolutionary discourse, but embodied different ideas, which placed those revolutionary modern left-wing writers in a dilemma in art choices after New china was established. |
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| Keywords: | revolutionary discourse imagining of May 4th Movement Shanghai Yan'an |
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