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| 论张承志的创作在市场经济语境中的文化表情 | |
| 引用本文： | 李胜清. 论张承志的创作在市场经济语境中的文化表情[J]. 南华大学学报(社会科学版), 2007, 8(2): 86-89 |
| 作者姓名： | 李胜清 |
| 作者单位： | 湖南科技大学,人文学院,湖南,湘潭,411201 |
| 摘 要： | 张承志的创作定位于一种精英启蒙立场。从效果特征上看，它是对历史记忆的再度体验，不是对当下现实的有效反思，其目的是想在市场经济语境中重新确立庙堂意识，但市场经济的世俗化没有为它提供相应的客体结构。处于这样的阐释落差中，它的文化表情是错位的，从前提上就被决定为一种赎救幻像。 |
| 关 键 词： | 张承志 市场经济 文化表情 客体错位 |
| 文章编号： | 1673-0755(2007)02-0086-04 |
| 修稿时间： | 2006-11-26 |
A Mirage of Shrine Consciousness——On the Culture Expression of Zhangchengzhi'''' Creation under Market Economy Context |
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| LI Sheng-qing. A Mirage of Shrine Consciousness——On the Culture Expression of Zhangchengzhi'''' Creation under Market Economy Context[J]. Journal of Nanhua University(Social Science Edition), 2007, 8(2): 86-89 | |
| Authors: | LI Sheng-qing |
| Affiliation: | LI Sheng- qing ( Hunan University of Science and Technology, Xiangtan 411201, China) |
| Abstract: | Zhangchengzhi's creation is located on a position of essence enlightenment.From effect,it is a review of historical memory,not an effective reflection of present reality.Its purpose is to re-establish shrine consciousness under market economy context.But market economy characteristic of secularity does not supply corresponding objective structure for it.Its culture expression is a dislocation in such an explanation contrast,so it is decided to be a rescued mirage from premise. |
| Keywords: | Zhangchengzhi shrine consciousness mirage market economy culture expression object dislocation |
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