鲁迅与《文心雕龙》

“摩罗诗力”和“现实战斗精神”是鲁迅文艺思想之核心，它们既是鲁迅在西方近现代文学思潮影响和新文学发展实际基础上的独特创造，也是对《文心雕龙》中“风骨”这一民族审美理想的继承和发展。本文旨在厘清二者之间既有差异又存在相同之处的复杂关系，证明现代文学批评与传统文论之间割舍不断的历史连续性。

Lu Xun and WenXinDiaoLong

“Poetic power of M＇aras” and “Realistic fighting spirit” are the core of Lu Xun＇s thoughts of literary aesthetics. They were uniquely created by Lu Xun, when modern Western literary thoughts were exerting great influences and the New Literature was developing in China; they also inherited and developed from the concept “FengGu” in WenXinDiaoLong, a concept that is the ideal of Chinese aesthetics. This paper is to clear up the complex relations between the two and to prove the historical continuity between modern literary criticism and traditional theory of literature.