| 超越性别,重塑民族历史——评托妮·莫里森的"历史"三部曲 |
| |
| 引用本文： | 方红. 超越性别,重塑民族历史——评托妮·莫里森的"历史"三部曲[J]. 湛江师范学院学报, 2006, 27(5): 48-52 |
| |
| 作者姓名： | 方红 |
| |
| 作者单位： | 苏州大学,外国语学院,江苏,苏州,215006 |
| |
| 摘 要： | 美国黑人女性文学在经历了反映种族歧视和性别歧视两个发展阶段之后,在当代社会表现出新特点。诺贝尔文学奖获得者托妮.莫里森的“历史”三部曲(《宠儿》、《爵士乐》和《乐园》)超越单纯对女性经历的关注,开始把目光投向黑人群体和民族历史。莫里森以黑人在不同历史时期对不同内涵的“爱”的追求为主线,以黑人群体为主角,对白人的官方历史进行解构和颠覆。在重述黑人历史的同时,莫里森也开始对黑人社区自身的缺陷进行反思和批判。“历史”三部曲代表了黑人女性文学的新走向。
|
| 关 键 词： | 托妮·莫里森 <宠儿> <爵士乐> <乐园> 黑人社区 |
| 文章编号： | 1006-4702(2006)05-0048-05 |
| 修稿时间： | 2006-07-12 |
Going beyond the Gender and Reconstructing Afro-American History: Toni Morrison and Her "History" Trilogy |
| |
| LANG Hong. Going beyond the Gender and Reconstructing Afro-American History: Toni Morrison and Her "History" Trilogy[J]. Journal of Zhanjiang Normal College, 2006, 27(5): 48-52 |
| |
| Authors: | LANG Hong |
| |
| Abstract: | After concentrating on gendered history for so many years,Afro-American women's writing has shown new features in the works by contemporary writers.The Nobel laureate Tony Morrison,in her "history" trilogy(Beloved,Jazz,and Paradise),shifts her attention from women to the collective experience and history of the Afro-Americans.With the pursuit of "love" of different varieties by Black people as the mainline,and with Black community as her characters,Morrison deconstructs and overturns the official White history.In her narration of Black history,she also begins to examine and criticize the weaknesses in the Black community.Her "history" trilogy represents a new trend in Black women's literature. |
| |
| Keywords: | Morrison Beloved Jazz Paradise Black community |
| 本文献已被 CNKI 万方数据 等数据库收录！ |
|
