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《水浒传》的"夜化"叙事形态及其文化意蕴
引用本文:李桂奎.《水浒传》的"夜化"叙事形态及其文化意蕴[J].南开学报,2009(1).
作者姓名:李桂奎
作者单位:上海财经大学人文学院;
摘    要:《水浒传》的"夜化"叙事大致可分为传奇性的"夜行"、"夜走"、"夜闹"、"夜战"等形态。"夜行"叙事突出了各位英雄好汉孤身只影行走于荒郊旷野或偏僻地带的"虎胆";"夜走"叙事渲染了英雄失路和仓皇逃逸的悲情;"夜闹"叙事展现了"月黑杀人夜,风高放火天"的壮观;"夜战"叙事搬弄出惊心动魄的刀光剑影、战火阴霾。在传统农耕社会,人们每提及"昼伏夜出"、"夜聚晓散"等"夜间"活动,就容易产生"妖淫谋逆"等作奸犯科的"滋事"联想,因而《水浒传》的各种形态的"夜化"叙事包涵着挑战伦理秩序的寓意,特别有利于英雄好汉的"壮心"打造。同时,《水浒传》所叙之"夜"多集中在"秋夕"、"冬夜"等寒夜,符合传统社会"沙场秋点兵"的战争规律,尤其是那些发生于元宵、中秋等节日的"夜闹"故事,有利于渲染英雄悲情。

关 键 词:时空  夜化  杀人放火  月黑风寒  壮士心  悲情  

The Narrative Style of "Actions in the Night" and Its Cultural Implication in Heroes of the Marshes
Li Guikui.The Narrative Style of "Actions in the Night" and Its Cultural Implication in Heroes of the Marshes[J].Nankai Journal,2009(1).
Authors:Li Guikui
Abstract:There are several kinds of"actions in the night"narrations in Heroes of the Marshes such as"night-walking","night -going","night-raiding",and"night-fighting".Various heroes who walked alone in the remote or wilderness areas in the night have been described as brave as a tiger by"night-walking".The narration of"night-going"exaggerates enormously the heroes' sentimentalization of losing the way and fleeing in panic.The narration of"night-raiding"reveals the spectacularity of"murdering in the deep night,settin...
Keywords:Space-time  Actions in the Night  Fire and Sword  Dark Night and Cold Wind  Battle Hymn  Sentimentalization  
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