| 花木兰舞台艺术的演变 |
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| 引用本文： | 陈国华. 花木兰舞台艺术的演变[J]. 河南社会科学, 2005, 13(6): 39-43 |
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| 作者姓名： | 陈国华 |
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| 作者单位： | 上海戏剧学院,戏文系,上海,200040 |
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| 摘 要： | 花木兰舞台艺术的演变有其独特性。它是断续的,有较强的时代性。以花木兰为题材的剧作,在舞台上的演出经过一代代的传承,形成了不少精品。花木兰舞台艺术在演中变,不同时代、不同剧种、不同演出团体的演出呈现不同形态。这就是为什么尽管花木兰形象反复再现在舞台上,但对于话剧、戏曲等来说,花木兰是永远的且是不一样的花木兰的原因。
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| 关 键 词： | 花木兰 舞台艺术 演变 |
| 文章编号： | 1007-905X(2005)06-0039-05 |
| 修稿时间： | 2005-09-02 |
The Transformation of Mulan Hua Stage Arts |
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| Chen Guohua. The Transformation of Mulan Hua Stage Arts[J]. Henan Social Sciences, 2005, 13(6): 39-43 |
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| Authors: | Chen Guohua |
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| Abstract: | The transformation of Mulan Stage Arts has its uniqueness.It is discrete,and representative of times.The story of Mulan has been formed into many classic dramas and operas in the development of stage performance.In the transformation of Mulan Stage Arts,the story of Mulan takes on different outlooks in accordance with times,forms of drama,and groups of performers.That is why no matter how often the image of Mulan has been performed from time to time on the stage,it is always different in drama and Chinese opera. |
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| Keywords: | Mulan Hua stage art transformation |
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