| 女性妆饰与民国初年的女性解放 |
| |
| 引用本文： | 田梅英.女性妆饰与民国初年的女性解放[J].中华女子学院学报,2002,14(6):53-56. |
| |
| 作者姓名： | 田梅英 |
| |
| 作者单位： | 中华女子学院,山东分院,山东,济南,250002 |
| |
| 摘 要： | 妆饰是精神的外化。伴随着民初女性解放运动的发展,传统的女性妆饰向着西装化与时装化、多元化与个性化的方向发展。并且出现了实用性与审美性的结合、地域与层次的不同等变化。
|
| 关 键 词： | 民国初年 女性妆饰 女性解放 |
| 文章编号： | 1007-3698(2002)06-0053-04 |
| 修稿时间： | 2002年10月10 |
Female Adornment and Women's Emancipation in the First Years of the Republic of China |
| |
| TIAN Mei - ying.Female Adornment and Women''''s Emancipation in the First Years of the Republic of China[J].Journal of China Women's College(Social Sciences Edition),2002,14(6):53-56. |
| |
| Authors: | TIAN Mei - ying |
| |
| Abstract: | Adornment is the external reflection of spirit. With the development of the women's emancipation in the first years of the Republic of China, traditional female adornment is moving towards Western - style clothes and fashionable dress, plurality and individualization. In the meantime, there have emerged the dissimilarities between practicability and aestheticism in the aspect of their combination, regions and levels. |
| |
| Keywords: | the first years of the Republic of China female adornment women's emancipation |
| 本文献已被 CNKI 维普 万方数据 等数据库收录！ |
|
