| 论现代小说的诗性叙事 |
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| 引用本文： | 孙春旻. 论现代小说的诗性叙事[J]. 郑州大学学报(哲学社会科学版), 2003, 36(5): 83-87 |
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| 作者姓名： | 孙春旻 |
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| 作者单位： | 郑州大学,文化与传播学院,河南,郑州,450052 |
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| 摘 要： | 文学理应创造具有“异在性”的“诗意的世界”,因而一些现代小说家追求叙事的诗性。诗性叙事主要表现为:以感觉化的语言建立与现代工具理性相反的“感性秩序”;创造有着深刻寓意同时形象又十分饱满鲜活的“诗体寓言”;将情节、立意的模糊含混作为一种强有力的表现手段,期待在读者的阅读阐释中不断生成新的意义。
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| 关 键 词： | 现代小说 诗意的世界 感性秩序 诗体寓言 |
| 文章编号： | 1001-8204(2003)05-0083-05 |
| 修稿时间： | 2003-03-30 |
Poetic Narration in Modern Fiction |
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| SUN Chun-min. Poetic Narration in Modern Fiction[J]. Journal of Zhengzhou University(Philosophy and Social Science Edition), 2003, 36(5): 83-87 |
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| Authors: | SUN Chun-min |
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| Abstract: | Literature is supposed to create a "dissimilated", "poetic world," so some modern novelists seek poetry in their narration by establishing in perceptual language a"perceptual order"contrary to modern instrumentalism, by creating "poetic parables"with vivid images and profound morals, and by adopting ambiguity in plot and conception as a powerful means of expression in expectation of the readers' reinterpretation. |
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| Keywords: | modern fiction poetic world perceptual order poetic parables. |
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