| 书法与佛教 |
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| 引用本文： | 何炳武,朱晓红.书法与佛教[J].湖南文理学院学报(社会科学版),2002,27(5):9-12,18. |
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| 作者姓名： | 何炳武 朱晓红 |
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| 作者单位： | 西北大学中国思想文化研究所 陕西西安710069
(何炳武)，解放军西安政治学院军事法学系 陕西西安710069(朱晓红) |
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| 摘 要： | 书法是中国艺术的精髓。东汉佛教传入中土后 ,书法即成为申记与阐扬佛理的最合适工具。随着佛“道”的渗入 ,书“道”和佛“道”相互渗透 ,相互融合而促进 ,不但使书法艺术得以普及和提高 ,而且加速了弘扬佛法的进程 ,使佛教在中国发展至新的境界
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| 关 键 词： | 书法 佛教 交流 发展 |
| 文章编号： | 1009-489X(2002)05-0009-04 |
| 修稿时间： | 2002年6月10日 |
Chinese Calligraphy and Buddhism |
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| HE Bing-wu ,ZHU Xiao-hong.Chinese Calligraphy and Buddhism[J].Journal of Hunan University of Arts and Science:Social Science Edition,2002,27(5):9-12,18. |
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| Authors: | HE Bing-wu ZHU Xiao-hong |
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| Institution: | HE Bing-wu 1,ZHU Xiao-hong 2 |
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| Abstract: | Calligraphy is the essence of Chinese art.It has been the most useful and appropriate tool to explain and propagate the teaching of Buddha since Buddhism was introduced into China in the Eastern Han Dynasty(25-220A.D.).The Way of calligraphy and that of Buddhism infiltrated into each other and became merged,which popularized and improved the art of calligraphy and promoted the spreading of Buddha's teaching and the development of Buddhism in China as well. |
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| Keywords: | calligraphy Buddhism exchange development |
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