浅谈中国绘画美学思想中的形神兼备

形与神是中国哲学和美学思想中的一对基本范畴，也是在艺术领域历来为人们所关注的问题。我国古代艺术理论很早就提出了形神兼备的思想，强调艺术作品的“传神写照”，尤其是在绘画领域，这一思想更是获得了充分的体现和发扬。简要介绍这对范畴的发展轨迹，并围绕绘画作品的形似及神似问题，初步探讨如何在绘画创作中实现形与神的统一，达到形神兼备。

On the Combination of "Form" and "Spirit" in Chinese Aesthetic Theories of Painting

As a basic category in the philosophical and aesthetic theories of ancient China, the concept of ＂ form＂ and ＂ spirit＂ has attracted constant attention in the artistic field. The idea of the combination of ＂ form＂ and ＂ spirit＂ was proposed at quite an early stage of Chinese art theories, which lay special emphasis on the ＂ conveyance of spirit＂. In particular, this idea is fully embodied and developed in the field of painting. This article is intended to provide a general introduction of the development of the category of ＂ form＂ and ＂ spirit＂, and tentatively probe into the combination of ＂ form＂ and ＂ spirit＂ in the creation of paintings in light of the ＂ similitude of form＂ and ＂ similitude of spirit＂.