| 略论当代纪录片的故事化和虚构 |
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| 引用本文： | 郎功勋.略论当代纪录片的故事化和虚构[J].榆林高等专科学校学报,2010,20(3):50-53. |
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| 作者姓名： | 郎功勋 |
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| 作者单位： | 云南民族大学,云南,昆明,650000 |
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| 基金项目： | 云南民族大学青年项目"新历史主义与纪录片研究" |
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| 摘 要： | 中国当代纪录片深受西方＂新纪录电影＂潮流的影响,故事化、虚构是其理论与创作联袂而行的两个重要倾向。当代纪录片的故事化,主要源于纪录片＂情节编排＂模式的选择和＂故事片化＂的创作理念;虚构作为＂竞争性真实＂与纪实同样成为通向纪录片深度真实的途径。在新历史主义理论的观照下,进而论述这一问题,以期加深纪录片研究与创作的理论自觉。
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| 关 键 词： | 当代纪录片 新历史主 故事化 虚构 |
On the Storilization and Fictionalization of Contemporary Documentary |
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| LANG Gong xun.On the Storilization and Fictionalization of Contemporary Documentary[J].Journal of Yulin College,2010,20(3):50-53. |
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| Authors: | LANG Gong xun |
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| Institution: | LANG Gong xun (Yunnan University of nationalities,Yunnan,Kunming 650000) |
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| Abstract: | The Contemporary Documentary of China is based on the effects of Western New Documenatary. Storilization and fictionalization are both of the vital important aspects of it. The storilized contemporary documentary originated from the seleted model of Arrangement of Plots and the tendency of storilization in the process of creation. fictionalization,as well as fact,is an approach of documentary to deep reality. This paper,by employing New Historicism methodology and principles,tries to discuss this question,indicating new historical dimensions for researches on documentary. |
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| Keywords: | Contemporary Documentary New Historicism Storilization Fictionalization |
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