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土族“纳顿”舞蹈的文化解读
引用本文:文忠祥,范静.土族“纳顿”舞蹈的文化解读[J].青海民族学院学报(社会科学版),2009,35(4):66-69.
作者姓名:文忠祥  范静
作者单位:青海师范大学,青海省文化艺术职业学校,青海,西宁,810008 
基金项目:作者主持的2007年度国家社会科学基金项目《甘青地区民族信仰与构建和谐社会研究》 
摘    要:本文以民间舞蹈的视域对土族纳顿舞蹈文化进行了探讨,认为“纳顿”舞蹈不仅具有一定的规律性、程式性,而且与信仰互相借助得到发展和传承,是土族社会伦理和民族心理的直接表达形式,是族群认同的纽带,表演具有明确的功利目的。

关 键 词:土族  纳顿  会手舞  面具舞  舞蹈

The Cultural Interpretation of the "Nadun" Dances in the Qinghai Tus
WEN Zhong -xiang,FAN Jing.The Cultural Interpretation of the "Nadun" Dances in the Qinghai Tus[J].Journal of Qinghal Nationalities Institute(Social Sciences),2009,35(4):66-69.
Authors:WEN Zhong -xiang  FAN Jing
Institution:WEN Zhong -xiang, FAN Jing
Abstract:Nadun is the unique Festival of the Tus. As a thanksgiving and entertainment ceremony for God to celebrate the harvest, it includes Huishou -dance,Mask - dance and Gods-dance. According to the folk dance theory focus on the dance acting design, this paper thinks Nadun dance acting with a certain regularity and formulaicity. In virtue of Nadun dance, the folk dance art and folk belief had been developing and inheriting. With definite utilitarian purpose, Nadun dances performaee is a direct expression form of social ethics and national psychology, is a link of ethnic group self -identity.
Keywords:Tus Nadun  Huishou dance  mask dance
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