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| “气韵生动”的意义指向及阐释拓展 | |
| 引用本文： | 张楠木. “气韵生动”的意义指向及阐释拓展[J]. 兰州大学学报(社会科学版), 2012, 40(1): 161-164 |
| 作者姓名： | 张楠木 |
| 作者单位： | 重庆大学艺术学院,重庆400030;中国人民大学艺术学院,北京100872 |
| 摘 要： | 南齐谢赫所提"六法"中的"气韵生动"命题,历来解释纷纭,莫衷一是。就"气韵"而言,在中国古代哲学中就有全面的论述,并且在绘画中有着深刻的表现,产生了新的问题视阈并完成了新的阐释。 |
| 关 键 词： | 气韵生动 意义指向 气韵演变 绘画理论 |
Orientation of Significance and the Expansive Interpretaion of Lively Spirit and Charm |
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| ZHANG Nan-mu. Orientation of Significance and the Expansive Interpretaion of Lively Spirit and Charm[J]. Journal of Lanzhor University(Social Sciences), 2012, 40(1): 161-164 | |
| Authors: | ZHANG Nan-mu |
| Affiliation: | ZHANG Nan-mu(1,2) (School of Art,Chongqing University,Chongqing 400030,China) |
| Abstract: | The proposition lively spririt and charm(qiyun) by Xie He in the South Qi Dynasty has been given various interpretations in history,particularly in ancient Chinese philosophy,and its practice abounded in painting.But its ambiguity also requires further investigation. |
| Keywords: | qiyun orientation of significance evolution of qiyun theory in painting |
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