| 有意识误读的背后——从《生死场》改编看田沁鑫话剧的主题倾向 |
| |
| 引用本文： | 潘超青.有意识误读的背后——从《生死场》改编看田沁鑫话剧的主题倾向[J].东方论坛,2007(3):62-66. |
| |
| 作者姓名： | 潘超青 |
| |
| 作者单位： | 北京师范大学,文学院,北京,100875 |
| |
| 摘 要： | 田沁鑫的戏剧<生死场>在人物形象、主题意蕴和结构等方面对小说原作都进行了改编,它回归了被认为是对小说误读的"抗日救亡"主题,而这种误读,恰恰是基于当代话剧缺乏精神内核的创作现状而做出的有意识选择.作者希望突破话剧创作过于个人化的局限,建立艺术性和现实性兼具的"新主流戏剧",但这一尝试在戏剧文本内部造成一定分裂性,使意识形态价值和个人的建构立场都遭遇了双向的价值消解.
|
| 关 键 词： | 误读 改编 田沁鑫话剧 |
| 文章编号： | 1005-7110(2007)03-0062-05 |
| 修稿时间： | 2006年8月22日 |
Beyond Misreading——On the Theme Trend of Tian Qin-xin's Drama As Viewed from Life and Death Field |
| |
| PAN Chao-qing.Beyond Misreading——On the Theme Trend of Tian Qin-xin''''s Drama As Viewed from Life and Death Field[J].Orient Forum,2007(3):62-66. |
| |
| Authors: | PAN Chao-qing |
| |
| Abstract: | The paper,by analyzing the adaptation of characters,subject and structure in "Life and Death Field",points out the reason for adapting is that the author aimed at the situation of contemporary drama which is short of cultural spirit,and tried to break through the individual limit to produce the "new-mainstream drama" which has both artistry and realism. |
| |
| Keywords: | |
| 本文献已被 CNKI 维普 万方数据 等数据库收录！ |
|
