| 自然山水真正成为绘画题材考略 |
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| 引用本文： | 江建胜.自然山水真正成为绘画题材考略[J].盐城师范学院学报,2002,22(2):127-130. |
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| 作者姓名： | 江建胜 |
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| 作者单位： | 盐城师范学院艺术系 江苏盐城224002 |
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| 摘 要： | 史前时期彩陶、岩画等表现题材多以人和动物为主 ;商周至先秦时期的艺术家的工作是为了实现奴隶主贵族实用功利目的 ;秦汉 ,人们对自然界美之为美的规律还未被掌握 ;三国两晋南北朝美学思想突变 ,人们开始关注生命价值 ,寻求寄托 ,在自然观照中获得了满足 ,自然山水自然进入绘画中
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| 关 键 词： | 自然山水 社会思潮 绘画题材 |
| 文章编号： | 1003-6873(2002)02-0127-04 |
| 修稿时间： | 2001年9月13日 |
Examining Natural Landscape as a Subject Matter in Chinese Paintings |
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| JIANG Jian-sheng.Examining Natural Landscape as a Subject Matter in Chinese Paintings[J].Journal of Yancheng Teachers College(Humanities & Social Sciences Edition),2002,22(2):127-130. |
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| Authors: | JIANG Jian-sheng |
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| Abstract: | In prehistoric age, human beings and animals are the major subject matter of painted pottery and cliff paintings. During the Shang and Zhou Dynasties art is for utilitarian purposes for the slaveholders. In the Qin and Han Dynasties, the beauty of nature remains unappreciated. Yet with the birth of aesthetics during Wei, Jin, South and North Dynasties, people begin to show their concern over the values of life, which is fulfilled in the perception of nature. It is since then that natural landscape has found their way into Chinese paintings. |
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| Keywords: | landscape movement of thought subject matter of paintings |
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