| 敦煌壁画中吐蕃赞普像的几个问题 |
| |
| 引用本文： | 魏健鹏.敦煌壁画中吐蕃赞普像的几个问题[J].西藏研究,2011(1). |
| |
| 作者姓名： | 魏健鹏 |
| |
| 作者单位： | 兰州大学敦煌学研究所,甘肃,兰州,730020 |
| |
| 摘 要： | 赞普像是中唐吐蕃统治时期敦煌壁画中的标志性人物像之一,其出现是壁画的绘制者根据实际情况将佛典内容进行变通的结果。赞普问疾听法图的粉本应源于吐蕃地区,由汉藏艺术家们共同创作而成,而赞普和侍从的服饰及容貌具有较高的相似性,则是受当时敦煌地区民众审美观念的影响。
|
| 关 键 词： | 赞普像 吐蕃 敦煌莫高窟 服饰 洞窟营建 |
Discussion on the Portrait of Tubo Tsanpo in Dunhuang Frescoes |
| |
| WEI Jian-peng.Discussion on the Portrait of Tubo Tsanpo in Dunhuang Frescoes[J].Tibetan Studies,2011(1). |
| |
| Authors: | WEI Jian-peng |
| |
| Institution: | WEI Jian-peng(Institute of Dunhuang Study,Lanzhou University,Lanzhou,Gansu 730020,China) |
| |
| Abstract: | The portrait of the Tubo Tsanpo is one of the representative figures in Dunhuang Frescoes created during the reign of Tubo in Mid-Tang Dynasty.The portrait of Tsanpo in Dunhuang Frescoes and several Sutras was created by artists by changing the content of sutras according to the actual conditions.The portrait of Tsanpo visiting patients and listening to preachshould be from Tubo and created by Tibetan and Han artists.The similarity of costume and appearance in Tsanpo and retinues should be the result of the... |
| |
| Keywords: | portrait of Tubo Tsanpo Tubo Mogao Grottos of Dunhuang costume Grotto Construction |
| 本文献已被 CNKI 万方数据 等数据库收录！ |
|
