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| 音乐的自觉：个体自由生命的唱响——对《声无哀乐论》的一种解读 | |
| 引用本文： | 李涵. 音乐的自觉：个体自由生命的唱响——对《声无哀乐论》的一种解读[J]. 贵州工业大学学报(社会科学版), 2007, 9(1): 198-201 |
| 作者姓名： | 李涵 |
| 作者单位： | 贵州大学人文学院 贵州 |
| 摘 要： | 嵇康的《声无哀乐论》是中国美学史上一篇影响深远的重要论文。音乐的"自然之理"是音乐美的来源,"和声无象"涤尽了音乐中的情感、政教伦理内容,"自然之和"是最高的音乐境界。至此,音乐真正的走向了艺术的自觉,从而唤起了人的自觉,作为个体生命存在的人开始重新关照自我,理解自我,渴望回到自由生命的本真,即:无限自由的生命状态。 |
| 关 键 词： | 音乐的自觉 人的自觉 个体自由生命 |
Awakening of Music:Individual Life's Freedom Comes True |
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| LI Han. Awakening of Music:Individual Life's Freedom Comes True[J]. Journal of Guizhou University of Technology(Social Science Edition), 2007, 9(1): 198-201 | |
| Authors: | LI Han |
| Abstract: | "Music Has No Sorrow or Joy'is an important essay in Chinese aesthetic history. Through the essay, we can find a result, that is, the music is beginning to awake. After the awakening of music, we can find that human as a individual life is beginning to awake too. They try to understand themselves, and try to know the real meaning of life. They are eager to go back and find the real life that means the eternal freedom. |
| Keywords: | awakening of music awakening of human individual free life |
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