接受美学视角下巴金《家》中的悲剧形象研究

接受美学强调接受者在接受活动中的作用，在接受美学看来，悲剧性文本并不是其悲剧艺术价值产生的终极因素，文本价值的生成必须是在与接受者的对话中实现，接受者必然要参与悲剧文本价值的构造过程。从这个角度看巴金先生的作品是获得巨大成功的，他笔下的《家》不管是苍凉的笔调还是悲痛的结局，都蕴含着丰富的美学意蕴并在读者心中引起巨大反响。通过接受美学的视角从期待视野、审美经验以及召唤结构三方面来重点研究《家》中的悲剧形象，以助于了解接受者参与作品价值生成的整个过程。

A Study on the Tragic Image in Ba Jin's Home from the Perspective of Reception Aesthetics

Reception aesthetics emphasizes the role of the receiver in the reception activities. From the perspective of reception aesthetics, tragic text is not the ultimate factor for its tragic artistic value. The generation of text value must be realized in the dialogue with the receiver, and the receiver must participate in thevaluegeneration process of the tragic text.The famous writer Ba Jin''s Home contains rich aesthetic implications both in its desolate tone and sad ending.From the perspective of reception aesthetics, this paper focuses on the tragic image in the novel from aspects of expectation, aesthetic experience and calling structure, so as to understand the whole process of recipients'' involvement in the work''svalue generation.