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李金发与象征主义之滥觞
引用本文:潘亚萍.李金发与象征主义之滥觞[J].湖北师范学院学报(哲学社会科学版),2007,27(3):68-71,75.
作者姓名:潘亚萍
作者单位:湖北师范学院,外语系,湖北,黄石,435002
摘    要:李金发的诗歌创作实现了民族文化与西方象征主义的融合,其作品最初被作为解构旧文学思想的工具,虽然遭到主流文学中部分文人的攻讦,但终究还是被作为象征主义代表纳入新文学体秩序之中.李金发的变异象征主义本是蕴涵着反现代化的现代性,然而在1930年代至1940年代不断变化着的社会文化和外部局势主导下,最终也不得不以牺牲自己所追求的艺术生命而依附于革命化和现代化,从而销匿于新的文学秩序之中.

关 键 词:李金发  象征主义  文学秩序  变异
文章编号:1009-4733(2007)03-0068-04
修稿时间:2006年9月15日

The origination of Li Jin-fa and Symbolism
PAN Ya-ping.The origination of Li Jin-fa and Symbolism[J].Journal of Hubei Normal University(Philosophy and Social Science),2007,27(3):68-71,75.
Authors:PAN Ya-ping
Abstract:In the history of modern literature,Li Jin-fa is the first writer who realized the mixture of national culture and the western literature of symbolism,whose creation and publish have been regarded as the first tool of unbinding the old literary thoughts.Although afterwards it had suffered attack by some liberators of mainstream,in the end it was brought into new literary order as the representative of symbolism.His variant symbolism originally contains counter-modern modernity,however leaded by the changing social culture and exterior environment in 930s to 1940s,finally it had to sacrifice its pursuing artistic life to attach itself to revolutionization and modernization and consequently disappeared in new literary order.
Keywords:Li Jin-fa  Symbolism  literary order  variance
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