| “逆笔”：翁方纲论黄庭坚学杜 |
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| 引用本文： | 唐芸芸.“逆笔”：翁方纲论黄庭坚学杜[J].云梦学刊,2011,32(1):99-102. |
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| 作者姓名： | 唐芸芸 |
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| 作者单位： | 中国社会科学院,文学研究所,北京,100876 |
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| 摘 要： | 黄庭坚学杜，历来学者都十分关注。翁方纲重新加以考究，以“逆笔”命名，并为其诗中用典作了新的定义。但由于没有贯彻他所透析的“逆笔”之术，翁方纲自己的诗作则多成了典故的罗列。
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| 关 键 词： | 翁方纲 杜甫 黄庭坚 逆笔 用典 |
REVERSAL WRITING:WENG FANGGANG'S POETIC THEORY ABOUT THE METHOD WHICH HUANG TINGJIAN USING TO LEARN FROM DU FU |
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| TANG Yun-yun.REVERSAL WRITING:WENG FANGGANG'S POETIC THEORY ABOUT THE METHOD WHICH HUANG TINGJIAN USING TO LEARN FROM DU FU[J].Journal of Yunmeng,2011,32(1):99-102. |
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| Authors: | TANG Yun-yun |
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| Institution: | TANG Yun-yun(Chinese Academy of Social Sciences,Beijing 100876,China) |
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| Abstract: | Scholars always focus on how Huang Tingjian learned from Du Fu,.Weng Fanggang,who had deliberated this issue,renamed the method as Reversal Writing,and redefined the allusion in poems.But because he didn't implement this essence of the method,his own poems just are the stockpile of allusion. |
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| Keywords: | Weng Fanggang Du Fu Huang Tingjian reversal writing allusion |
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