| 论屈原在自然景物描写上对《诗经》的继承和创新 |
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| 引用本文： | 曾祥旭. 论屈原在自然景物描写上对《诗经》的继承和创新[J]. 南都学坛, 2001, 21(1): 72-74 |
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| 作者姓名： | 曾祥旭 |
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| 作者单位： | 南阳师范学院,中文系,河南,南阳,473061 |
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| 摘 要： | 屈原在自然景物描写上对《诗经》的继承和创新表现在以下几个方面。即：一、景不但是自然之景，而且，较《诗经》更寓有深刻的人文内涵和艺术形象；二、借景言情，情较《诗经》更富于感伤以至怨愤色彩；三、行文规模宏肆，更着力铺叙流动之景，体现楚人的流观意识；四、借神话、仙话等虚构非人间景象。
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| 关 键 词： | 景物描写 屈骚 流观意识 |
| 文章编号： | 1002-6320(2001)01-0072-03 |
| 修稿时间： | 2000-06-28 |
On the Inheritance and Development of The Songs by Quyuan in Describing Natural Scenes |
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| ZENG Xiang-xu. On the Inheritance and Development of The Songs by Quyuan in Describing Natural Scenes[J]. Academic forum of nandu, 2001, 21(1): 72-74 |
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| Authors: | ZENG Xiang-xu |
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| Abstract: | This article expounds the characteristics in describing natural scenes by Quyuan who inherited and developed The Book of Songs as follows:The scenes are not only natural ones, but contain deep humanistic meanings and artistic image more than The Book of Songs, second, to express his emotions by depicting the scenes. And, the Scope is grand. The last is to make up unearthly scenes by myth etc. |
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