| 中国传统戏曲中的武术因素 |
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| 引用本文： | 曾小月.中国传统戏曲中的武术因素[J].河南科技大学学报(社会科学版),2012(4):47-50. |
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| 作者姓名： | 曾小月 |
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| 作者单位： | 长沙理工大学文法学院,长沙410004 |
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| 基金项目： | 湖南省社会科学基金项目(2010YBB012) |
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| 摘 要： | 戏曲是中国特有的传统艺术形式,"唱、念、做、打"是该门艺术的基本功。其中,"做"、"打"均与武术有着直接关系,"武戏"的形成更是离不开武术。传统戏曲的早期形态——傩舞、百戏均受到武术的影响。由唐代至明朝,中国戏曲在表演形式上也借鉴了武术的格斗技法。由于传统戏曲在表情达意上的直观性,使之不仅能天然地吸纳武术动作,而且还能补充戏曲表现手法,推动戏剧情节的展开。
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| 关 键 词： | 武术 中国戏曲 舞台表演 |
Influence of Wushu on Chinese Traditional Opera |
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| ZENG Xiao-yue.Influence of Wushu on Chinese Traditional Opera[J].Journal of Henan University of Science & Technology:Social science,2012(4):47-50. |
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| Authors: | ZENG Xiao-yue |
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| Institution: | ZENG Xiao-yue(School of literature and law,Changsha University of Science and Technology,Changsha 410004,China) |
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| Abstract: | Opera is a Chinese special traditional art,in which "zuo,nian,chang,da" are basic skills."zuo","da" have immediate relation with wushu,especially "wu xi".This paper argues that wushu has a direct impact on Nuo Dance and Bai Xi.From Tang Dynasty to Ming Dynasty,Chinese opera performance has absorption of wushu fighting techniques and wushu supplements opera performing techniques,thus enriching opera conflicts and storylines. |
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| Keywords: | Wushu Chinese opera stage performances |
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