| 《乐记》审美风格论考 |
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| 引用本文： | 潘链钰.《乐记》审美风格论考[J].山西大同大学学报（社会科学版）,2013(6):98-101. |
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| 作者姓名： | 潘链钰 |
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| 作者单位： | 武汉大学文学院,湖北武汉430072 |
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| 摘 要： | 《乐记》之审美风格论可以分为四个方面：一是“人心感物”层面的审美风格；二是政教层面的审美风格；三是礼制层面的审美风格；四是气象层面的审美风格。《乐记》以遗音遗味、和节有序两个基本点来评判音乐的审美风格是否符合其审美标准，并以夏商周之乐作为评判的楷模。《乐记》的审美风格论，打破以壮美优美为审美风格划分标准的模式，转而建立一种极具儒家色彩且细腻辩证的审美风格标准，这对后世音乐美学思想之发展有着深刻的启发作用。
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| 关 键 词： | 《乐记》 音乐思想 审美风格 体 |
On the Aesthetic Style of Music |
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| PAN Lian-yu.On the Aesthetic Style of Music[J].Journal of Shanxi Datong University(Social Science Edition),2013(6):98-101. |
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| Authors: | PAN Lian-yu |
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| Institution: | PAN Lian-yu (School of Chinese Literature, Wuhan University, Wuhan Hubei, 430072) |
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| Abstract: | Music created by musical instruments has unique aesthetic styles. From this aspect, we find that music is based on two dimensions of politeness and virtue. The aesthetic styles of Music can be divided into four aspects： first, people＇s awareness of objects; second, political and religious phases; third, social institutions; fourt, meteorological phase. Music judges the aesthetic style of a piece of music by beautiful notes and harmony, regarding music in Xia, Shang and Zhou dynasties as model. The aesthetic style advocated in music put emphasis on exquisite instead of magnificence, which is enlightening for the development of aesthetic thoughts of music. |
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| Keywords: | music musical thoughts aesthetic style genre |
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