| 论民族唱法声腔美的艺术构成 |
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| 引用本文： | 梁惠敏. 论民族唱法声腔美的艺术构成[J]. 长江大学学报(社会科学版), 2005, 28(4): 107-108 |
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| 作者姓名： | 梁惠敏 |
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| 作者单位： | 长江大学,艺术学院,湖北,荆州,434020 |
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| 摘 要： | 民族唱法声腔美最基本的艺术构成包括三个方面:一、“字正腔圆”的歌唱语言;二、灵活多变的发声与共鸣;三、声情并茂的二度创作。这三重因素决定着民族唱法的艺术效果。演唱者应结合自身的特点,吸取古今中外成功的演唱经验与技巧,从而达到最佳审美境界。
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| 关 键 词： | 民族唱法 声腔美 艺术 二度创作 |
| 文章编号： | 1673-1395(2005)04-0107-02 |
| 修稿时间： | 2005-03-20 |
On Art Form of Nationality's Singing Style |
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| LIANG Hui-min. On Art Form of Nationality's Singing Style[J]. Journal of Yangtze University(Social Sciences), 2005, 28(4): 107-108 |
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| Authors: | LIANG Hui-min |
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| Abstract: | Art forms of the national singing style with beautiful operatic tunes include three aspects:1. singing language " with clear articulation and a mellow and full tone "; 2. flexible and changeable sound production and sympathetic response; 3. two-degree creation in voice and affection. The triple factors determine the artistic result of the national singing style.The singer combines one's own characteristic,and draws the successful singing experience and skill at all times and in all lands, thus reaches the best aesthetic realm.That is the correct way for national singing style to incline to. |
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| Keywords: | national singing style beauty of operatic tunes art two degree- creatation |
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