文化符码与心理符码的合－－鲁迅作品中的看客形象小议

看客是鲁迅作品中的重要形象,它一方面作为一种文化符码出现在作品中,代表着鲁迅对中国封建文化的认识,体现着封建文化的吃人本质;另一方面,它又表现着鲁迅内心世界的恐惧心理,成为创作主体的心理符码.鲁迅对看客形象的塑造,是按照抽象这一艺术原则进行的,他限制看客的活动空间,把看客抽象成无生命的结晶质.这些艺术表现均源于鲁迅摆脱内心恐惧的需要.

Unifying of Cultrue Sign and Mental Sign

The audience is the important image in Lu xun's work.It emerges as a kind of cultural image,representing Lu Xun's cognition of Chinese feudalism culture;on the other hand,it expresses internal fearing,and becomes the mental state sign of the artistic corpus.According the artistic principle of abstract,Lu Xun creates the image of audience.He limits the audience's movable space,makes it becoming the crystal quality.The artistic performance all comes from the demand of getting away from his internal fear.