| 晋人之美：品藻中的六朝士人形象? |
| |
| 引用本文： | 李杰.晋人之美：品藻中的六朝士人形象?[J].宝鸡文理学院学报(社会科学版),2016,36(5):34-39. |
| |
| 作者姓名： | 李杰 |
| |
| 作者单位： | 西安外国语大学 艺术学院,陕西 西安,710128 |
| |
| 基金项目： | 国家社会科学基金西部项目:中国美术考古学的体系构架研究(项目(16XKG005)。) |
| |
| 摘 要： | 有关六朝士人形象的研究，理论界多以“魏晋风度”或“清谈雅士”来定位，而对这一时期随时代思潮而嬗变的人物形态风尚则较少涉及。六朝早期的士人容止随审美风尚的变迁分为两种主要形态，其一为提倡精致柔美的士人形象；其二为崇尚放达的不羁形态。而南朝以降，人们则崇尚兼具两者特征的端庄、洒脱的神人风貌。
|
| 关 键 词： | 士人 品藻 容止 |
Elegance of People in Jin Dynasty |
| |
| Abstract: | s:Men of letters in the Six Dynasties were characterized as Grace of Wei and Jin or elegant scholars.The relevant studies revealed little about the fashion at that time.Roughly,there were two different aesthetic types of their manners ———gentle and mild figures contrasted to people with hoarse and uninhibited air.After Nan Dynasty,sages with both features were highly valued. |
| |
| Keywords: | Scholars Pinzao Appearance and manners |
| 本文献已被 万方数据 等数据库收录！ |
