| 关于新诗和旧诗的创作问题 |
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| 引用本文： | 夏传才.关于新诗和旧诗的创作问题[J].河北学刊,2002,22(1):90-96. |
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| 作者姓名： | 夏传才 |
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| 作者单位： | 河北师范大学,文学院,河北,石家庄,050091 |
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| 基金项目： | 本文是作者1998年4月在香港大学市区中心所做的公开演讲. |
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| 摘 要： | 新体和旧体只是艺术形式问题 ,一种新的诗体出现并不意味着原有的诗体消亡 ,在一个长时期内仍将并存并荣。“五四”开创的新体诗当前仍处于实践、探索阶段 ,在继承民族优良传统的基础上革新、吸取中外艺术精华、创作新时代的诗篇 ,是现代诗发展的方向
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| 关 键 词： | 新诗 旧诗 革新 方向 |
| 文章编号： | 1003-7071(2002)01-0090-07 |
| 修稿时间： | 2001年10月10 |
On writing of New and Old Poems |
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| XIA Chuan-cai.On writing of New and Old Poems[J].Hebei Academic Journal,2002,22(1):90-96. |
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| Authors: | XIA Chuan-cai |
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| Abstract: | The difference between new and old poems lies in their artistic form. The appearance of a new kind of poem does not mean the old kind has disappeared. Both develop together in a relatively long period of time. The new poems brought about by "May 4 Movement" are now still in a stage of practice and exploration. The developing orientation of modern poems should inherit national excellent tradition to innovate and absorb artistic elite at home and abroad. |
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| Keywords: | new poems old poems innovate orientation |
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