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20世纪20年代“女性题材”影片与早期电影女演员散论
引用本文:陈永祥,;罗素敏.20世纪20年代“女性题材”影片与早期电影女演员散论[J].广州大学学报(社会科学版),2014(4):85-90.
作者姓名:陈永祥  ;罗素敏
作者单位:[1]广州大学俗文化研究中心,广东广州510006; [2]广东省委党史研究室,广东广州510002
摘    要:电影是人类文明史上最伟大的发明之一,19世纪末自西方传入中国,并迅速崛起为一门广受国人欢迎的大众艺术,随之,以塑造女性形象为主要特征的电影女演员出现在银幕上,成为人们赏析的对象。至20世纪20年代,在女性解放思潮等因素的推动下,一些知识分子尤其是归国华侨和留学生加入电影公司,拍摄了一批"女性题材"影片,培养了一批具有代表性的电影女演员,女演员的形象和演技得到了观众的认可,初步奠定了中国电影现实主义的基本品格,对中国早期电影的发展作出了应有的贡献。

关 键 词:“女性题材”影片  电影女演员  电影艺术

On Movies of Female Subjects in the 1920s and Actress of the Early Stage
Institution:CHEN Yongxiang, LUO Sumin ( 1. Research Center Of Popular Chinese Culture, Guangzhou University, Guangzhou, Guangdong 510006, China ; 2. Lab of Communist Party History, Provincial Party Committee of Guangdong, Guangzhou Guangdong 510002, China)
Abstract:Movie is one of the greatest inventions in the history of human civilizations. Since its introduction into China in the late 19th century,movie soon became a popular public art. Soon afterwards movie actresses on the silver screen are often admired and reviewed by people. In the 1920s,promoted by thoughts of women's liberations,some returned overseas Chinese and students joined in film companies and produced a group of movies of female subjects. They trained a group of actresses whose images and acting skills were approved by audiences,thus laid the foundation for the Chinese realistic films and made a due contribution to development of Chinese movies of the early stage.
Keywords:movies of female subjects  actress  film art
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