| 《茗柯词》变相《风》、《骚》创作意格--论清代常州词派代表张惠言的创作实践 |
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| 引用本文： | 清风.《茗柯词》变相《风》、《骚》创作意格--论清代常州词派代表张惠言的创作实践[J].燕山大学学报(哲学社会科学版),2001,2(2):38-42. |
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| 作者姓名： | 清风 |
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| 作者单位： | 浙江大学,学报编辑部,浙江,杭州,310028 |
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| 摘 要： | 张惠言是清代常州词派的开创者,他以传统儒家之"忠爱悱恻、不淫不伤之旨"为其词学理论基础;以<风>、<骚>的文学精神为其创作典范"感士不遇"而又"主文谲谏",寻春惜春,以立意为本,咏物抒情,重比兴寄托.主张崇比兴,区正变,知尊体.张惠言的<茗柯词>基本上体现了他这一词论要旨.
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| 关 键 词： | 常州词派 张惠言 |
| 文章编号： | 1009-2692(2001)02-0038-05 |
| 修稿时间： | 2001年1月12日 |
Accommodating the Ode to the Wind and the Odes of Chu in Writing Mingke Ci Poem: On Zhang Huiyan's Writing Practice |
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| Qing Feng.Accommodating the Ode to the Wind and the Odes of Chu in Writing Mingke Ci Poem: On Zhang Huiyan's Writing Practice[J].Journal of Yanshan University:Philosophy and Social Sciences Edition,2001,2(2):38-42. |
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| Authors: | Qing Feng |
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| Institution: | QING Feng The Editorial Department of Journey of the University,Thejiang University,Hangzhou,Thejuang,310028 |
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| Abstract: | As the innovator of the Changzhou School of Ci-poetry in Qing Dynasty,Zhang Huiyan's theoreticbasis of ci-poetry was based on the ideology of the traditional Confycuabusn which stressed the elements of lo-yalty, love, melancholy, often laden with sorrow and writing without wantonness and extravagance. In hiswriting practice Zhang Huiyan took the literary spirit of the Ode to the Wind and the Odes of Chu as the paragon,typical of sighing for the inopportune talents, of adhering to a style of cunning and disguised criticism, of en-joying and treasuring the Spring time, while chanting something to express the emotions; besides, he waskeen on using analogy and metaphors and soon. His Mingke Ci Poem is an example of putting these ideas intopractice. |
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| Keywords: | Changzhou School of Ci-poetry Zhang Huiyan Mingke Ci writing practice expressing byanalogy and metaphor |
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