新诗中的蝴蝶意象

蝴蝶进入诗人的视野,而后化为诗歌意象,大体有三个层面：１它是诗境中构成自然景观的要素;２．作为一种意象,在民族文化的渊源里,可以找到两个典型的原型,其一．“蝶恋花”词牌的初创意义,即赋子蝶与花之间的密切关系以人格化的意义;而广泛流传的梁祝故事中的浪漫的“化蝶”情节的内涵则蕴含了至死不渝的爱情的意义。这两种文化原型代表了源远流长的关于爱情、亲情和人情的精神。３．从“庄周梦蝶”的哲学思想中演绎出来的关于人与自然、人与社会、人与人的关系的种种体验与感悟．丰富的蝴蝶意象在具有不同文化背景诗学理念和个性的诗人笔下,构成新诗中色彩斑斓的诗篇。

The Image of Butterfly in New Style Poetry

There are almost 3 levels of meaning when butterfly becomes the poetic image in the vision of poets. Firstly, it is the essential factor that constitutes the natural scenery of the poem. Secondly, as an image, it has two typical forms in the Chinese culture: the original meaning of the Ci poem of "Die Lian Hun "which gives personalized meaning to the intimate relation of butterfly and flower. The popular story of Lang Shan-bo and Zhu Ying-tai, in which the plot "Hua Die" ( one becomes a butterfly) implies eternal love. These two forms represent the love between lovers or, relatives. Thirdly, all kinds of experience and reflections about the relationship between man and nature, man and society, or person and person. This kind of love is deducted from the philosophy of Zhuang Zhou Dreams of Becoming a Butterfly". Varied images of butterfly constitute a colorful poem of a new style under the pen of a poet with different cultural backgrounds, conceptions of poetry ideas and personality.