| 许筠对唐宋明及朝鲜诗歌的批评 |
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| 引用本文： | 孙德彪.许筠对唐宋明及朝鲜诗歌的批评[J].延边大学东疆学刊,2005,22(4):36-38. |
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| 作者姓名： | 孙德彪 |
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| 作者单位： | 延边大学,人文社会科学学院,吉林,延吉,133002 |
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| 摘 要： | 朝鲜王朝是朝鲜历史上诗歌理论发展的顶峰时期。这一时期的许筠诗歌批评涉及到了唐、宋、明诗以及朝鲜历代诗歌。他以唐诗性情本质作为诗歌批评的标准,崇尚唐诗,轻视宋诗,肯定明诗。在对朝鲜历代诗歌的批评上,体现了他的民主、民族意识。
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| 关 键 词： | 许筠 唐诗 宋诗 明诗 朝鲜诗 批评 性情 |
| 文章编号： | 1002-2007(2005)04-0036-3 |
| 修稿时间： | 2005年8月31日 |
Ho Kyun's Criticism on Korean Poetry and Chinese Poetry in the Tang,Song and Ming Dynasties |
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| Sun Debiao.Ho Kyun's Criticism on Korean Poetry and Chinese Poetry in the Tang,Song and Ming Dynasties[J].Dongjiang Journal,2005,22(4):36-38. |
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| Authors: | Sun Debiao |
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| Abstract: | The development of Korea's poetical theories witnesses their zenith in the Yi Dynasty.Ho Kyun's poetic criticism involves Korean poetry as well as Chinese poetry in the Tang,Song and Ming dynasties.Employing the temperament Tang poetry as his critical criteria,he worships Tang poetry,despises Song poetry and affirms Ming poetry.And Ho's criticism on Korean poetry reflects his democratic and national awareness. |
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| Keywords: | Ho Kyun Tang poetry Song poetry Ming poetry Korean poetry criticism temperament |
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