| 明清诗论之神韵说内涵探幽 |
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| 引用本文： | 余再山.明清诗论之神韵说内涵探幽[J].武汉理工大学学报(社会科学版),2001,14(2):176-178. |
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| 作者姓名： | 余再山 |
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| 作者单位： | 中国地质大学研究生院, |
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| 摘 要： | 神韵作为中国古典美学的一个审美范畴,其内涵是相当丰富和复杂的.明清两代的一些诗论家,在对其前代美学思想吸收含纳的基础上,认为"生气"是神韵范畴的重要内涵,并将其具体运用于诗歌批评实践中.
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| 关 键 词： | 明清诗论 神韵 内涵 生气 |
| 文章编号： | 1009-0614(2001)02-0176-03 |
| 修稿时间： | 2001年2月9日 |
Survey Into the Implications of Charm Theory of Ming and Qing Poetry Notes |
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| Yu Zaishan.Survey Into the Implications of Charm Theory of Ming and Qing Poetry Notes[J].Journal of Wuhan University of Technology(Social Science Edition),2001,14(2):176-178. |
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| Authors: | Yu Zaishan |
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| Abstract: | Charm, as one of the aspects in aesthetic judgment of classical Chinese aesthetics, is rather profound and rich in its implications. Some critics on poetry and essays in Ming and Qing Dynasties, acting on the absorbing and introducing of the classical aesthetic principles, held the idea that vigorousness is an important implication factor as far as the concept of Charm is concerned, and applied it to the practical criticism for poetry. |
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| Keywords: | poetry notes in Ming and Qing Dynasties charm and prosody implication vigorousness |
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