| 哀的升华与美的创造--川端康成的小说《伊豆的歌女》简论 |
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| 引用本文： | 曹丹.哀的升华与美的创造--川端康成的小说《伊豆的歌女》简论[J].安徽理工大学学报(社会科学版),2004,6(2):97-100. |
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| 作者姓名： | 曹丹 |
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| 作者单位： | 驻马店师范高等专科学校中文系,河南,驻马店,463000 |
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| 摘 要： | 日本作家川端康成,其文学悲凉格调的形成与他的孤儿心态有很大关系。小说《伊豆的歌女》的主题表现了作家的自我人格。满足了川端对纯洁爱情和美好人情的渴望,是他对自己现实中得不到的温情与爱情的补偿性实现。日本古典美与西方文学手法的融合形成了小说的艺术之美。
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| 关 键 词： | 日本 川端康成 小说 《伊豆的歌女》 简论 文学手法 主体性 心理描写 唯美主义 孤儿心态 |
| 文章编号： | 1672-1101(2004)02-0097-04 |
| 修稿时间： | 2004年1月6日 |
The sublimation of sorrow and creation of beauty--a short discussion about "Singing-girl in Yidou" by Chuanduan Kangcheng |
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| CAO Dan.The sublimation of sorrow and creation of beauty--a short discussion about "Singing-girl in Yidou" by Chuanduan Kangcheng[J].Journal of Anhui University of Science and Technology:Social Science,2004,6(2):97-100. |
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| Authors: | CAO Dan |
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| Abstract: | For the Japanese writer Chuanduan Kangcheng, there is much relation between his sad literary style and his orphan mood. The subject of "Singing-girl in Yidou" reflects the author's personality, satisfies his desire for the pure love and goodness, and is the fulfillment of compensation for the lack of tenderness and love in his real life. In this book, the integration of the Japanese classical beauty with western literary techniques results in its artistic beauty. |
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