| "昙花一现"的美丽——朦胧诗回眸 |
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| 引用本文： | 赵跃鸣."昙花一现"的美丽——朦胧诗回眸[J].江南大学学报(人文社会科学版),2006,5(6):72-75. |
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| 作者姓名： | 赵跃鸣 |
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| 作者单位： | 江南大学,文学院,江苏,无锡,214112 |
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| 摘 要： | 朦胧诗是新时期文学的第一个诗歌潮流,它是一代人生命体验的艺术折光,凸现了自我意识,带来了诗歌审美的嬗变和精神重建的要求。朦胧诗的诗人们呼喊人道主义和要求人的尊严、价值等的启蒙主题,以及大胆借鉴西方现代派的艺术手法的探索精神,无疑是一座崛起的丰碑,已经深深烙在人们心里。然而,朦胧诗由于不可避免的局限性和精神危机,在更为激进的新生代诗人的一片打倒声中,走向消亡。
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| 关 键 词： | 朦胧诗 自我 主题 艺术手法 消亡 |
| 文章编号： | 1671-6973(2006)06-0072-04 |
| 修稿时间： | 2004年4月28日 |
Beauty of Flimsy-Overview of Dim Poetry |
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| ZHAO Yue-ming.Beauty of Flimsy-Overview of Dim Poetry[J].Journal of Southern Yangtze University:Humanities & Social Sciences Edition,2006,5(6):72-75. |
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| Authors: | ZHAO Yue-ming |
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| Abstract: | The dim poetry is the first trend of poetry in the new period of literature in China. It reflects the life and art of a generation, focusing on self consciousness. It brings about the development of poetry enjoyment and the spiritual reconstruction. The poets propose the humanism and the topics of renaissance including the esteem and value of man, and adopt the artistic techniques from Western modernism. The dim poetry is of course a milestone in the spiritual life of poetry. Because of the unavoidable limitations and spiritual crises, it disappears against the criticisms of a newer generation. |
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| Keywords: | dim poetry self topic artistic techniques disappear |
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