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舟山渔民画传承与发展研究
引用本文:罗江峰. 舟山渔民画传承与发展研究[J]. 浙江师范大学学报(社会科学版), 2009, 34(1): 79-84
作者姓名:罗江峰
作者单位:浙江海洋学院,艺术教研室,浙江,舟山,316000
基金项目:浙江海洋学院校级科研项目 
摘    要:舟山渔民画作为舟山海洋民间艺术的重要组成部分,在历史发展进程中既有其辉煌的一面。又有其潜在的生存危机。“普陀模式”是新时期舟山渔民画传承与发展的新模式,虽然还存在诸多问题与不确定因素,但为今后舟山渔民画进行市场化、产业化做了铺垫。论文以“普陀模式”为基点,从政府层面、系统性学术理论研究、稳定的创作队伍、保持海洋文化内涵、渔民画产业化等方面探讨了舟山渔民画的传承与发展。

关 键 词:舟山海洋文化  舟山渔民画  产业化

On Inheritance and Development of Fisherman-Painting Art in Zhoushan
LUO Jiang-feng. On Inheritance and Development of Fisherman-Painting Art in Zhoushan[J]. Journal of Zhejiang Normal University:Social Sciences, 2009, 34(1): 79-84
Authors:LUO Jiang-feng
Affiliation:LUO Jiang-feng (Department of P. E. and Artistic Education, Zhefiang Ocean University, Zhoushan 316000, China)
Abstract:An important element of the marine folk art in Zhoushan,the fisherman-painting art is on the verge of disappearance today,with all its glorious history.For its inheritance and development,the "Putuo Model",though not without problems,proves effective to the marketing and industrial management of fisherman paintings.This paper,starting therewith,addresses the inheritance and development of the art in terms of the government's roles,the systematic academic research,the support to the painters,the protection of the essence of marine culture,and the business promotion of fisherman paintings.
Keywords:marine culture in Zhoushan  fisherman paintings of Zhoushan  business and industrial management
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